Thursday, November 19, 2009

THE ARENA Tour Diary Part 4


Welcome back folks…. I am slowly getting through the backlog of tour tales here. So many memories, so little time to share them with you. Nonetheless, the tour diary continues.

TUES 17TH NOVEMBER – REPUBLIC BAR, HOBART

The loyal followers will note here that this show was scheduled 2 days after my last show in Melbourne (the last of 8 in the first week of the tour). Most normal people might have elected to give themselves a day off in Melbourne as some sort of reward for making it through a week such as the one I had just endured. Alas, I needed to drive my car back to Sydney on Monday (10hrs) so I could catch the flight to Hobart – from Sydney – on Tuesday morning. If you’re wondering why…. well I’ll get to that. In keeping with the spirit of the tour, the reason is too difficult to explain right now, but it involves 4 towns in 2 states on different sides of the country.... It’s fair to say that when it comes to scheduling, there are a few things I will reconsider next time round!

Anyway – Hobart – is a nice sort of town. I find it quite similar to the UK in many ways – perhaps a combination of the climate and the old buildings scattered up and down the hills surrounding the harbour. If I am ever there for longer than a night, I will no doubt be able to give Hobart the type of appraisal it deserves. For now, I’ll just leave it at nice. Safe, reliable, quaint, homely, welcoming and all those other things you might associate with the word “nice”.

After a brief stop at the Edge FM for a short interview and a song on air, I had a few hours to kill before the show. Time enough to find some new guitar strings, take a gentle saunter round the Capital of Taswegia and even head off for a light jog up the road to the Cascade brewery. I don’t know about you, but I really love a town where you can run for 20mins and be in the hills – there’s a certain freedom to that. The ability to escape into the wilderness whenever you feel like it.

The show itself was 3 sets over 3 hours, played to an average crowd of about 5 people (including the bar staff), one of whom happened to be a member of the Hobart Amateur Opera Society. I would never have known this of course, but for the fact that every 10 or 15mins he would stroll round the room belting out attempted harmonies whilst I was in the middle of a song. The full opera vibrato with the hand gestures and everything – this bloke wasn’t doing things by half measures. What do you do in that situation? The guy was evidently having a great old time – I didn’t feel like it was my place to say anything… Sure it threw me a bit at first, but then I kind of got used to it. In a way, it sort of made the show. And in any case, it was obviously keeping him pretty happy, judging by the way he kept clapping at the end of each song (not sure if it was for him or me) and throwing money on stage. $5 notes mainly, with the occasional 10 for good measure.

I have tried to make sense of it ever since, but I still don’t understand…. A generous spirit, a misguided soul, a window to my life in 30 years time perhaps… Maybe it’s better not to ask questions. In any case, by the end of the night I had made back at least half my airfare, and I figured that was reason enough to play a gig to 5 people on a Tuesday night in Hobart. Not the most exciting gig I have ever played, but certainly one of the more memorable…

WED 18TH NOVEMBER – IRISH MURPHY’S, LAUNCESTON

The morning of Wed 18th was devoted to an investigation of the local rental car market. Starving artists don’t typically like to hire rental cars, but in this case it was necessary. There are several buses daily from Hobart to Launceston, but none of them left early enough for me to make the radio interview OR the songwriting workshop I had agreed to host. I assumed there would be an hourly shuttle bus or something similar ferrying people between the busiest cities in Tasmania…. Negative! (As it happens, the starving artist 2-door hatch wasn’t available, so I had to pay for the far more glamorous 4-door Corolla. A fine ride indeed for a guy who was yet to reach triple figures on album sales… but to be fair, the blow was somewhat softened by my friend the opera singer from the night before!

Having negotiated the 200km to Launceston, it was time for my radio interview with LCFM, a local station run (for the main part) by students at Launceston College. My thanks to Steve Tully, the head of media studies, for his kind assistance in the weeks leading up to my trip, and for offering me an interview in the first place. When I released “Molly Mae” (September ’09) I sent a bunch of emails to community radio stations right across the country, and Steve was one of the kind people who actually took the time to reply. It was nice to have a show in Launceston so I had the opportunity to meet him in person, and sure enough there he was as I drove into town – standing on the corner, waving, ready to jump in the passenger seat and guide me straight into studio one.

(As the story goes, Steve moved to Launceston after seeing a picture of a beautiful woman, conducting a school orchestra, on the front of a newsletter for the Tasmanian Department of Education. Overcome by a sudden desire to meet the woman in the photo, Steve asked the department to transfer him to the school in question, and just a few years later they were married! Apparently she wasn’t too keen at first, but he got her to come around… Nice work Steve. Well played.)

The interview itself wasn’t so bad… I think I avoided any major embarrassment, which is generally my primary aim on radio. The spot was pre-recorded then played bi-hourly for the rest of the day. That’s a lot of Renny Field for the poor people of Launceston to have to endure! But even so, I must thank LCFM for the support and the exposure. As a general rule, I have found community radio stations to be extremely supportive, and a great way of getting some help locally when you are on tour. For that reason, I always try to contact the local community station(s) whenever I head to a new town, and more often than not it’s worth the effort.

As for the songwriting workshop, I am sitting here trying to recall what I said and I can’t really remember… But I am hoping the ramble did turn into something interesting/informative at some point, and that the people in attendance were able to take something from the hour-long session. Worst case scenario – they thought I was a weirdo with no idea. Well, there are worse problems to have. (And let’s face it I am a little strange…).

To round off another fairly eventful day, I played a 45-min spot at Irish Murphy’s – one of the main pubs in town, a small but lively old-style tavern with a hostel upstairs – supporting a local band called The Stoics. Despite its size, Launceston I discovered has a nice little music community, and the Stoics were a great advertisement for it – good songwriting, good arrangements, and a pleasure to watch. And the way I felt, I needed some good music to keep me going. Because by the time I finished my set (a fairly good effort despite the drunk blokes shouting at me every 10mins) I was running on empty. And my flight to Adelaide was leaving at 8.30 in the morning… Time to return to the mainland….

(I should say a final thanks to local singer-songwriter Sara Jane for her advice on booking shows in Launceston. For those of you who’d like to check out some of her music, or maybe even play a show with her sometime, you can visit www.myspace.com/sarajanemusic).


THURS 19TH NOVEMBER – THE GRACE EMILY, ADELAIDE

Adelaide was about a 2-hr flight from Launceston via Melbourne, and waiting for me at the other end was one of the best gigs of the tour. I have said enough about the Grace in the past, so I won’t bore you with too many specifics... But I will say that it was a real treat to perform with my good mates Sam Buckingham and Cookie Baker, and the Grace Emily once again proved itself to be a cut above the rest. I hope it never changes. Here’s some footage from the gig – thanks very much to Jaan.

http://www.youtube.com/watch?v=fkwxaE0jnKw

http://www.youtube.com/watch?v=n3_P5b8IA28&feature=related

On another note, I could live in Adelaide. I’m not saying I will. I’m just saying I could. Sometimes I like to think about stuff. Hmmmm….

Ok that’s enough. Time to head West. Back soon.

Sunday, November 15, 2009

THE ARENA Tour Diary Part 3


Hi Guys,

A bit of a delay with these, but I am chipping away.... It's been a busy few months!

Stand by for more.

Cheers.

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SUN 15TH NOVEMBER – THE MELBOURNE DOUBLE

Little do I need to tell you, despite the lack of alcohol the night before, there was a hangover of sorts taking effect when I awoke at 7.45am in the Locomotive Hotel Junee. My body was crying out for rest, and instead I was about to endure another 5hrs in the red oven (my car), followed by two shows in the Victorian Capital. Say nothing of the drive to Sydney that was awaiting me the following morning. Bearing in mind at this point I was still locked in the Hotel by myself, hoping that Karen had remembered her promise to come and let me out…

Fortunately, by the time I emerged from the shower (“Dusty, but clean” as promised – see previous blog), Karen had opened up the doors to the main bar, and had a cup of tea waiting for me when I descended from the presidential suite. I tried to relax a little before the drive, but it was hard to ignore the heat pouring in through the front doors of the pub (even at this hour), and the resulting knowledge that in roughly 30mins time I would be enjoying a sensation something akin to 100 women standing at my car window with their hair dryers set to “Extreme”.

The good thing about this level of discomfort of course is that it makes it extremely hard to go to sleep when you have been chasing stolen cars, running into animals, playing gigs to nobody, that sort of thing… So despite my exhaustion, there was still no need to take a “powernap” as regularly advised by the Victorian government on the side of the freeway. I imagine my body was taking all sorts of powernaps on the inside, but that wasn’t going to stop the wind keeping my eyes WIDE open.

And so it was that I arrived in Melbourne, drenched in sweat (those Rexona folks are full of crap), and with about an hour to kill before the show at Pure Pop Records. Not that there was any real opportunity to rest mind you. Because funnily enough, calling your mate to tell him you have arrived, double parking outside his apartment, loading all your gear into his apartment (up the lift to the 2nd floor), getting back into your car, finding a parking space somewhere within a 10km radius, and walking back to the venue – well all of that takes roughly about an hour.

So, once again, I imagine I probably hit the stage the polar opposite to what, say, Bruce Springsteen might feel like when he saunters out to the microphone at Madison Square Garden. Nonetheless, this didn’t deter me from putting it out there for the decent crew of punters who had turned out to watch my set. And damn it, some of them even bought a CD – can you believe it. My thanks to Dave for having me (as he does whenever I am in Melbourne), and for naming “The Arena” in Pure Pop’s Top 20 Albums of 2009! That’s quite an accolade for someone like me so I was stoked. If you haven’t been to pure pop then you should definitely check it out next time you’re in St Kilda. So much great music at that place I couldn’t begin to tell you – the type of venue where you can say “I saw this person play to 20 people…..”.

For instance, just after I finished, The Basics jumped on stage after playing to 8-900 the night before. Not a bad deal for free on a Sunday afternoon…

www.purepop.com.au

After saying my goodbyes, it was back in the car (yes I had to find it and re-load it…) for another mad dash across town to one of my most anticipated shows on the first week of the tour. A couple of months earlier, I’d played a gig with Bianca Fenn & the September Knights at the Espy. Not only did they completely blow me away, but Bianca was also kind enough to invite me to come and open up for her EP Launch at the Evelyn in Fitzroy – one of Melbourne’s iconic venues.

For once in my life, I made it to the gig with a bit of time up my sleeve. The problem being, when you are used to falling into the venue, out of breath from another frantic traffic-weaving episode, possibly also a sprint from several blocks away, you don’t quite know how to appreciate being “on time”, let alone what to do with all those extra minutes at your disposal. And so it was, as if guided by a hand from above, 30 mins before I was due to go on stage I decided it might be a good idea to jump in the car and duck round the corner to see if I could find a cheap hotel room. Of course, there was no cheap hotel room round the corner, nor round the next corner, or the next, or the next and so on…. Before I knew it I was back in familiar territory – ducking and weaving like a man possessed, trying to find my way back to Fitzroy, exploring short-cuts that led to nowhere, flying down lanes that didn’t exist, and of course (as I always do in this situation) cursing myself for ever getting in this ridiculous predicament in the first place, perhaps punching the steering wheel with my right hand, and swearing to god it will never happen again. I don’t know how many times it has happened since, but my guess is I couldn’t count it on one hand. Maybe not even two…

As fate would have it, a yet-to-be-confirmed offer of accommodation came through just as I made it back to The Evelyn, so the rush to the stage was a little less stressful than it might have been. And as an added bonus, the start time had been pushed back by 20mins, which gave me a chance to briefly collect my thoughts and grab a glass of water before hitting the stage.

I can’t vouch for my own performance, which was executed with minimal fanfare after another exhausting day on the road, but Bianca and The September Knights were just as impressive as I remember. Not only that, but a great bunch of people. And when I say that – I mean really great. With some cool tunes as well from Tom Tuena (the other support act), by the end of the night my troubles had all but disappeared. I think the same could be said for everyone in the room – it was quite a show.

www.myspace.com/biancafenn

And, my friends, that’s one of the best things about what I do. The ability to be transported, knocked off your feet, inspired by new places, new people, new songs, new sounds – no matter what sort of day you might have had. I am constantly amazed by the depth and variety of talent I come across in my travels – both in Australia and overseas. Just when you think you have seen it all – BANG – a spark, a note, a voice, a chord, and sometimes it comes from the most unlikely of sources. In essence, we are all doing the same thing, but oh how incredibly diverse and uplifting that same thing can be. I’m looking forward to seeing what Bianca can achieve. She deserves every success.

Seems a shame to spoil my moment there. So I’ll just say I slept well that night. On my friends couch (thanks Bridget). For every last second of the 6.5hrs before my alarm went off to tell me I needed to wake up and drive to Sydney.

Plenty more touring to come – we’ve only just got started. Next stop Hobart!

Bye for now.

Saturday, November 14, 2009

THE ARENA Tour Diary Part 2


FRI 13TH NOV - WILLIAM FARRER, WAGGA WAGGA.

It was a nice relaxing morning in Melbourne - a big breakfast and a chance to reflect on a tour that had nearly been derailed at the first hurdle, but nonetheless was still on track, albeit with a fairly significant detour ahead courtesy of a stolen station wagon which needed to be collected from Canberra. Or Queanbeyan specifically, but more on that later...

Wagga wagga has always treated me kindly. To be fair, it's not exactly spitting distance from anywhere in particular but I've always found the locals to be a pretty welcoming bunch, and although the shows are generally pretty low key they are always good fun. I still have no idea where the second Wagga is, or perhaps it's the first, but popular opinion is divided on whether the town should be referred to as one or two Waggas. One is easier; two may or may not get you into trouble, depending on who you talk to.

The show went off without a hitch, including a god-awful but strangely well-received version of Sinatra's classic "New York, New York". Years ago, long before I ever started writing music myself, this song was my never-fail drunk Karaoke show-stopper. Any sight of a microphone and a cheesy backing track and I was Frank for a night! That said however, it's just not the same without that terrible yet eerily familiar backing music and the little karaoke screen, and I'll be damned if I know how to play it on an acoustic guitar. Obviously something I am going to have to work on in the future, although even my rough (rough!) attempt got by far the biggest cheer of the night. And for just a few short minutes, it's fair to say those little town blues did really melt away....


SAT 14TH NOV - LOCOMOTIVE HOTEL, JUNEE, AND OTHER CALAMITIES...

Deep breath....

Well it ended up being a pretty late night in Wagga (Wagga), and not exactly what I needed given the day I had ahead of me. There was a show to play in Junee, but prior to that I had to get to Canberra to retrieve a stolen car, pay for the towing, return a rental car, swap my gear between vehicles, and visit the Australian Federal Police to file some sort of incident report. There was enough time to complete these tasks of course, but even so I was coming up to my 7th gig on the trot and the miles were starting to take their toll. The entire operation would have to be handled smoothly and efficiently. There was little margin for error.

I should point out here that if it wasn't for the help of my good friends Jayson and Lyn I would have been completely stuffed. The job ahead was far too great for one man - I needed backup. First of all, there was the small problem of my stolen car being conveniently located in Queanbeyan, not Canberra itself. This meant a guided trip to Queanbeyan in the rental car to pick up the stolen car, at which point there would be two cars in my possession, hence the need for a second driver (Lyn) to help get one of the cars back to the Budget rentals depot in Canberra City, before changing back to the stolen car for the trip home. Already sounds confusing doesn't it. My friends, the saga has barely even started...

(If you are wondering where Jayson comes into it, he is Lyn’s husband and my old boss from Sydney. Also the poor bloke who answered the phone when I called the only people knew in Canberra to explain my predicament. Fortunately he was kind enough to lend me his wife for a few hours, despite the family gathering that had been planned for that day).

When my car was initially stolen, the police had asked me if I was happy to use their list of "preferred towing companies". Of course, that's something one is happy to agree to at midnight on a Monday night on 3hrs sleep, but on reflection you have to wonder why the "preferred companies" in Canberra are in fact based in Queanbeyan. Little do I need to tell you - this is not a "preferred" scenario when you are traveling from Wagga to pick up a stolen car and your mate's wife is having to drive around with you to facilitate this process.

Anyway, Queanbeyan it was, and after following the various circles, loops, curves, round-abouts and u-turns that make up the Canberra road network, we finally stumbled on the towing company's garage - a small lot down a long narrow street in the middle of nowhere, in between the picturesque villages of anywhere, somewhere and neitherhernorthere. Why my car had to be towed in the first place is beyond me. It was being driven when it was found, why could they not have driven it somewhere (in Canberra perhaps) to be kept until I arrived to pick it up? Is the point of a tow truck company not to help move a car when it cannot move itself? Apparently not in Canberra, or Queanbeyan for that matter, where they like to tow perfectly good, functional vehicles, just for the hell of it. Therefore the owner, who is already dealing with the with the inconvenience of a stolen car, also has to fork out his hard earned cash for an additional towing expense, not forgetting the extra km's travelled to get to Quean-be-f...ing-an!

I wasn't sure what to expect when I saw my car. In some sense, it was like recovering a lost artifact from a previous life. The police had told me on the phone that they needed to fingerprint the vehicle (this despite apprehending the thief when they found the car being driven around Canberra... another anomaly in this improbable chain of events), but they certainly didn’t explain the specifics of the fingerprinting process, which had turned my beautiful little red car into a sad sight indeed. Have you ever seen fingerprinting dust? It's like a thick white powder that sticks to everything, and it had been generously applied to both the inside and the outside of my vehicle. As you can imagine, that made it look pretty stupid, and this is before I noticed the little stickers that had been carefully applied alongside each of the “prints” that had been found. It’s not a fossil guys, it’s a f….ing fingerprint. The police make no attempt to remove the dust or the stickers, they just leave it all there for the owner to discover when he goes to collect his vehicle. (From Queanbeyan...)

A quick check of the contents of the vehicle revealed that, thankfully, the members of the Canberra underworld had decided (no doubt employing a similar process of logic which resulted in them stealing my 23-yo station wagon in the first place) that a box of Renny Field's latest album was useless to them. So instead of stealing some $3000 worth of my CD's, they decided to run off with (i) a sleeping bag, (ii) a microphone stand, and (iii) a book called "Round Ireland with a Fridge". No doubt they are enjoying that last one in Goulburn Prison at the moment, or at the very least getting lessons on how to read it. Sure enough, the inside of the car looked like a bomb had gone off, but fortunately most of my music gear had been in a motel room the night the car was stolen, so there wasn't much for them to find. I imagine they would have been pretty disappointed really, driving round in rusting old Toyota with no air conditioning, a minor oil leak and a box of Renny Field CD's in the boot. Why they continued driving it till they were arrested is beyond me. But it's a good thing they did.

Dropping the rental car off should have been one of the easiest parts of this operation, but alas we missed the 12.00 Saturday closing time (of course - we are in Canberra) by all of 5 minutes! I am guessing the woman probably knocked off at 11.45, but in any case it meant a trip back out to the airport (the alternative rental depot), thus pushing Lyn (the 2nd driver - remember her...?) to breaking point. The temperature was increasing by the second, and what was meant to be a one-hour operation had instead turned into a 3-hr odyssey.

Funnily enough, even after all this driving round Canberra, I was still no closer to appreciating the oft-lauded town planning skills of the late Walter Burleigh Griffin. A man apparently loved by those who have taken up residence in his fine creation of a city, but loathed by anyone who should accidentally pass through... A harsher man than me might suggest that the town's current population of 350,000 is made up of roughly 100,000 public servants and 250,000 other folks who stopped for petrol one day and never found their way back out.

Anyway having finally returned the rental car, and Lyn, time was improbably still on my side. Time enough to visit the police station to file a report which was apparently not required (this despite 3 phone conversations to the contrary), then get myself to the nearest drive-thru car wash to remove some of this fingerprinting dust, which had turned my red station wagon into a kind of poor-man’s mobile winter-wonderland Christmas decoration. Sadly, as I soon discovered, the old federal police fingerprinting dust is in fact pretty sticky stuff - far too sticky for the average $20 Caltex drive-thru mega-wax "buff & coat" special. Thus with the temperature still soaring and my energy levels suffering the type of decline usually reserved for retiring Australian cricket Captains, I was forced to relocate to the service station car park, load up on the free paper towel, and continue the polishing assault by hand. Inside and out. Including those stupid fingerprint stickers I was describing earlier (which I am still finding in my car to this day - how many prints to you need you muppets?!). Sure it was hot, sure I was bothered, but I gave that little car one of the greatest "shimmy-shams" you've ever seen. By the time I had finished, I could see my reflection on at least 35% of the vehicle. It was as close to new as a 23 year-old station wagon can be!

And so, filled with the sense of achievement that only polishing a stolen car in a service station car park can give you, I set off towards my next port of call - The Locomotive Hotel, Junee. All I needed was a nice smooth run to the show. If only life were that simple...

The drive from Canberra to Junee is relatively straight-forward. Back out to the Hume Highway, turn right towards Junee just North of Gundagai. Duration - approx 2hrs. After circumnavigating Canberra 5 times, it should have been a piece of cake. For some reason however I mustn't have been paying attention just north of Gundagai (perhaps I was trying to remove one of those stickers…), and before I knew it I had gone too far. Not that this was a great problem mind you - I had an old NSW road map, and this clearly indicated another road (albeit a smaller road) south of Gundagai which I could use instead. A "short cut" if you like... Another person might have accepted the mistake, turned around and driven the 5 minutes back to the main road, but in keeping with the spirit of the day, and after all I had been through, I wasn't about to start to taking the easy option. And besides, the "short cut" was a no-brainer. Any old hack could have figured it out.

I sensed there was a problem when, after about 30mins on the "short cut" (roughly the time I calculated it should have taken me to get to Junee) I came across an intersection with several signs, one of which said "Junee" and pointed straight back in the direction I just came from. I can remember this being quite a disappointing discovery. Upsetting even. Deflating perhaps. Notwithstanding the fact that the short cut had now turned into a dirt road, hence undoing my hours of hard work in the aforementioned service station car park. So after a brief period of reflection, I turned around and headed back in the direction I came from, with my only two points of comfort being:

(i) I knew I was closer to Junee than I had been in Canberra.

(ii) At least the dirt road wouldn't leave fingerprinting stickers on my car.

With my eyes peeled, I carefully retraced my steps, desperately searching for the turn-off that would put me back on the required course. I have always thought of myself as a fairly handy navigator, so needless to say when I saw the main highway looming up again I was somewhat dismayed. I had come full circle and was still no closer to the gig, which by this stage I was running late for. My last remaining hope was an old timber house across the road with a couple of tattooed bikers enjoying a quiet Saturday evening beer on the deck out front. Fortunately they were of the helpful biker variety, and not the type inclined to shoot first when a red '86 Corona turned into their driveway. But then again, in their assessment of the threat level, I can see that my car would have caused them no great alarm.

Sure enough, a mildly amusing and often confusing conversation ensued, at the end of which I was given a hand-drawn map, supposedly leading me straight to the foot of the rainbow. I use the rainbow analogy because if you could imagine a map to the foot of a rainbow, that's about how it looked - a series of black lines scrawled roughly across an old faded strip of paper with a a small box indicating a corner store at about the half-way point. (No I don't know why he put the corner store there either). The true beauty of the hand-scribbled map of course being that you always run out of paper before the directions have actually finished, hence forcing you to cram the final 30% of the journey into a space not much larger than the average fingernail. No doubt my friend's powers of illustration (and speech for that matter) had been ably assisted by 22 stubbies of VB that afternoon. It was a rough guide at best, and by no means a sure fix for my current predicament, but it was all I had. Off I went then, in search of a bridge on my right...

By this stage of course, there was a growing sense of urgency accompanying my journey, and with it a growing danger that I would fall victim to an assault from the local wildlife. Kangaroos are known to be attracted to cars on country roads, particularly at dusk (when driving is better avoided), so whilst hurtling round each bend on two wheels I was also having to keep a watchful eye out for any potential attacks. I could never have imagined that, rather than a Kangaroo, an innocuous farm animal would nearly bring about my undoing.

Having sped through a series of sharp turns near the riverbank (a stretch of road I had now become quite familiar with), I was aware that the turn-off would soon be looming up on my right hand side, along with an old wooden bridge - a key reference point for my trip according to my friends back near the highway. I may have been in a rural area, but even so I was surprised to see an emaciated old sheep looking lovingly at my vehicle as I approached the critical junction. I say lovingly, because as the sheep caught my eye I had a real sense that it wanted to get to know me and my car A LOT better. So you can imagine the type of mental conversation that transpired, as I locked eyes with the sheep, and it returned my gaze with the type of confused fascination that only a sheep is capable of:

Sheep: I like the look of your car. I think I might run towards it.

Renny: I can see you like the look of my car. And I can also see you would like to run towards it. But I am going to speed up slightly so as to avoid hitting you and causing damage to you and/or my vehicle.

Sheep: I can see you are speeding up to avoid me, but I really really want to get to know your car. So I am going to speed up as well, and increase the chance of making physical contact with your beautiful red wagon.

Renny: I appreciate your fascination, but I am running late for a show, and I really don't need a collision with a sheep right now. You leave me no option but to swerve further to the other side of the road, and apply slightly more pressure to the accelerator.

Sheep: I can see you are speeding up again, quite obviously you don't understand my willingness to cause injury to myself and the car. And the more you try to avoid me, the faster I will run, so there is no way you can get past me, you are just going to have to accept that I am a talking sheep, and the will of the world is on my side, and therefore......

BANG!!!!!!

For f..... sake.

Sometimes in life, we must accept that once a certain chain of events has been set in motion, there is absolutely nothing we can do to alter its course. And so it was, that despite my best efforts to avoid the inevitable, my friend the sheep had managed to head-butt my left-hand rear view mirror and smash it to smithereens before tumbling underneath the car and ripping the rear bumper bar clean off. (It was at about this point of the day that I seem to remember having some trouble holding myself together). Stepping out to survey the damage, I expected to see a mangled old sheep lying flat on the ground somewhere, but aside from my rear bumper, the road was bare. I looked left and right in astonishment as I slowly trudged back to retrieve the missing piece of my car, but there was still no sign of the sheep that had run head-first jungle-warrior style towards my left passenger door. Vanished into thin air. Incredible.

It's a lonely old job I tells ya - putting your dusty rear bumper bar it the boot of your beat-up station wagon, having just crashed into a sheep somewhere on a back road to Junee at 8pm on a Saturday night. The real kicker here being that, once I eventually reached the crucial turn-off (alongside the bridge as described), it became apparent that the earlier navigational blunders could NEVER have been avoided. Why? Because the key road sign - the one that clearly said "Junee" - the one I had been unsuccessfully searching for all this time - had been bent back in the WRONG direction. So in my several trips past this particular intersection, I would never have known to take the turn-off, because the one true indicator of my whereabouts had been sabotaged! And as you might expect, after making this discovery, the remaining 20mins of my journey (strangely uneventful and somehow accurately depicted on my hand-drawn map) was filled with the most glorious barrage of obscenities you can possibly imagine. All of them perfectly articulated, exquisitely delivered, and heard by the only person in the world who could truly appreciate them - me.

Despite everything that had happened, I pulled up outside the Locomotive Hotel a fairly respectable 10 minutes late for the show. This was a minor miracle. I could have explained the story to Karen the bar manager, but in all honesty who would believe a story like that?! I figured it was safer to just apologise, briefly mention the stolen car in Canberra, and set up my gear as quickly as possible. That way, my legions of adoring fans (who were no doubt eagerly anticipating my arrival) would not have to wait any longer than necessary to see their acoustic folk hero take the stage (read: starving artist set up on the floor in front of the TAB screens).

Now by this stage of my little adventure, it's fair to say I had built up a certain immunity to the range of emotions that fall between disappointment and heartbreak. This was fortunate, because on any other day I would probably have been crestfallen when I walked into the Locomotive Hotel to be greeted by a crowd of 2 people, including the bar manager.

1 customer.

On a Saturday night.

Karen: "Looks like you'll be playing to me tonight Renny. Ha ha ha!"

It would have been tempting to pull the pin right then and there; head back to Sydney, stop the tour, retire, sell my guitars, get a real job. I’d be lying if I told you I didn’t question the point of what I had just put myself through, and the point of what I was about to do. But clinging to the positives like I have never clung to positives before, I figured one person was still better than none... And seeing as I had actually beaten the odds to get here in the first place, I was damned if I wasn't going to set my gear up and belt out a few of the old classics - just to say I did. Surely it couldn't get any worse?

Alas, it seemed my improbable run of good fortune was still one step away from its spectacular conclusion. For just as I plugged in my guitar, ready to deliver the performance of a lifetime, there was a call from the bar:

Karen: "Hey Renny"

Renny: "Yep?"

Karen: "Do you mind watching the bar for 15 minutes? I've just gotta run this bloke home - he's wasted and he can't drive"

Renny: "Sure, no problems".

Karen: "If anyone comes, just tell them I'll be back soon".

Renny: “Ah, no worries”.

And as Karen took off with the only audience member in sight, the final stage of my incredible demise was complete. Less than a week earlier I had been playing to a room full of people with a ten-pice band. Now, here I was, standing in an empty pub in at 9pm on a Saturday night, with only my guitar and the gentle hum of the TAB screens to keep me company. In the name of rock & roll, I had fought through one of the most calamitous and exasperating days you could possibly imagine, and this was my reward at the end of it all. The dizzy heights of fame, it appeared, would have to wait.

People who experience major trauma often say they can’t really recall the precise moment of the incident. And as I think back to that 15mins alone in the Locomotive Hotel (aptly nicknamed “The Loco”), it’s fair to say I have a hazy memory at best. I imagine I was going through something akin to shock, at least on an emotional level, but in spite of it all I do remember there was this strange sense of calm that had come over me. It’s hard to describe, other than to say I was comforted by some sort of deeper understanding. An acceptance if you like. A knowledge that for the rest of my life I would have this story to tell. And if the truth be known, that’s probably the one thing that keeps me going a lot of the time – the story. The long drives in the searing heat, the late nights and the early starts, the shows to people who couldn’t care less if I was there or not, the occasional collision with a farm animal… All of it would seem pointless, but for this innate sense of purpose that seems to prevail. Sure I hope for a greater stage, sure I hope for a smoother passage, sure I hope that one day I can play in towns that know I am coming. But no matter where the road leads, no matter what happens along the way, the true victory will always be in the journey itself. And that’s the one real achievement worth striving for – the ability to look back and say you did.

And so it was, with this same sense of purpose, I was able to strum away for the required 3 sets in the lonely old Locomotive Hotel in Junee (once Karen had returned of course). Sure it wasn’t my finest performance, but funnily enough it wasn’t my worst either. And the crowd did in fact swell to at least 4 or 5 people at one point, which I can remember thinking was pretty cool at the time. They even clapped on the odd occasion!

By the time midnight rolled around, it was all I could do to pack up my gear and trudge up the staircase to my bed for the night. The Locomotive hotel no longer has rooms for the public, so it’s a good thing Karen was happy to let me crash in an old spare room usually reserved for the staff. I vaguely remember her apologising for the dusty shower (“It’s clean, it’s just a bit dusty”), but by that stage I was oblivious to that type of information. I didn’t even care that I would have to be locked in the hotel, again by myself, until Karen came to collect me in the morning. And calling on my last remaining drop of energy, I somehow managed to summon the required concentration to set my alarm for the morning. The sleep-in would have to wait - there were 2 shows to play in Melbourne the next day, and a 5hr drive to get to there.

To be continued…

PS - I do have a photo from the night at “The Loco” – I just have to find the cord so I can get it off my phone… stand by…

PPS – And would you believe I am heading back there on Friday 5th Feb, but I might actually have a crowd this time... Playing the night before the “Junee Poker Run”, which as far as I can gather is a day-long pub-crawl culminating with a night of music at the Locomotive Hotel. Apparently you get a card at each pub, and the winner is the person with the best hand at the end of the day, with the money raised going towards Can Assist (a charity for Cancer patients in rural NSW). One of the bigger local events of the year Karen tells me, and pretty wild the night before. Methinks I better start learning The Gambler by Kenny Rogers…. Anyone game to tag along?!

Thursday, November 12, 2009

THE ARENA Tour Diary Part 1


It'd hard to know where to start with this update. Depending on which way you look at it, the tour so far has either been chaotic, inspiring, exhausting, uplifting, a train wreck or a screaming success. In reality, it's probably a combination of those things all wrapped up into one beautiful package that is otherwise known as the life and times of Renny Field. It's hard to imagine a crazier start to the release of a new album. Is it a sign of things to come? I hope so. At least I'll be able to say it was interesting! Not that I expected anything else of course...

SUN 8TH NOVEMBER - OXFORD ART FACTORY

After a couple of smaller shows north of Sydney (including one with my good friend Amy Vee in Newcastle - cheers to you), it was time for the big album launch at the Oxford Art Factory in Darlinghurst. I didn't want to get too carried away with the launch, but it was in many ways the culmination of the previous 12 months of my life, most of it spent sitting in a little room for hours on end trying to figure out what on earth I was doing. For a while there I wasn't really sure if I'd ever release anything again, so to get to that point was an achievement in itself. The night itself was a bit of a blur, but I think it's safe to say it was a pretty fitting celebration. A great turnout, the band sounded amazing (to my ears anyway!), and I was really happy that so many of the people who helped put the album together were able to be a part of the show. A couple missing but certainly not forgotten - and there will be more shows with them in the future. A big thanks to everyone who came along and made it such a memorable night!

And, in case you were wondering, here was the band:

Matt Field - Drums
Pat Savina - Bass
Simon Rudston-Brown - Electric Guitar
Scott Aplin - Keys
Sam Buckingham - BVs
Lanie Lane - BVs
Liz D'Olier - Viola
Adrian K - Violin
Michael Carney - Accordion
And Me - Vox and Guitar

Thanks also to Ten Thumb Tom and Lanie Lane for the wonderful tunes to kick things off.


MON 9TH NOVEMBER - PHOENIX BAR, CANBERRA

Monday morning it's fair to say I awoke with a real sense of achievement, but also a feeling of complete exhaustion. I wasn't going home early after the launch, but even so there was still another 8 gigs to play in the next 7 days and 3 hours sleep wasn't the best way to start the week! Add to that a very busy period leading up to the release, and you can imagine I wasn't exactly as fresh as a daisy. Little did I know that the wheels were about to fall off spectacularly that night in the nation's capital.

Somehow I managed to get away from Sydney with JUST enough time to get to Canberra (allowing for a good run...) and sure enough I made it to the venue by the barest of margins. How I continue to live my life in 5-minute windows I will never understand. I might have been ok, but of course I got lost on the way. Every time I go to Canberra I get lost. All the roads go in circles. You think you're in the right place and then there will be a one way street that takes you back to where you came from. Last time I went there I even managed to get lost in a fricking car park! Same deal - arrows point one way, road goes the other.... Anyway, I estimate I needed to perform at least 6 illegal U-turns within a 500m radius of the venue. This despite several attempts to get directions, but it appears the taxi drivers don't know where they are either!

I had imagined it would be a bit of a "come back to earth" show after playing to 180-200 people with a 10-piece band the night before, and sure enough it was a far quieter affair. I suppose there were about 10-15 people listening to me at the Phoenix Bar, but I still enjoyed it and in any case I had played to far less than that before. The gig itself wasn't so bad, it's just that when I emerged from the venue around midnight (ready to drive straight to the motel and sleep) my car was nowhere to be seen! The first night of the tour proper, and my car had been stolen. Can you believe it? On a Monday night!! Why would anyone want to steal a car like mine on a Monday night? It's not the type of vehicle you use to cruise down the main street and pick up chicks. An old red 1986 Toyota Corona with a boot that falls on your head when you want to put stuff in the back, a passenger-side window winder that has to be reattached each time you need some air, a coat hanger for an aerial, rust on both sides and no air conditioning (this last part an important detail....). Even that I could have lived with, but adding to the pain - I had left a box of my brand new CD's in the car! 125 Copies gone. The fact that I had hidden them under a few blankets was irrelevant, because the blankets were gone as well. And the microphone stands. And my sleeping bag. And a present from my friend Kim who had made the trip to Canberra with me. So instead of heading straight back to the hotel, it was off to the police station to report a stolen vehicle. Yes it was locked. Yes I am sure I checked the right car park....

Apparently, said the policeman, the young kids of Canberra steal cars to get home because there is no public transport. So whilst my car was missing, there was a chance it would be found sitting in one of the outer suburbs. This was little consolation given the next day I had to drive to Belgrave (about an hour East of Melbourne), and now had no car to make the trip. Can you imagine a better way to start a tour? I would have cried if it wasn't so ridiculous. Hey at least I still had my guitar, and a great story to tell for the rest of the tour! Rest of my life even. (And you know how I love to tell stories....) Caught a cab home to the hotel, got to bed at 1.30am, set the alarm for 7.30 knowing there would be a lot of running around to do in the morning. Despite this fairly significant setback, and despite the fact that I was now completely exhausted, I was determined to make the next show.

(I must also say a big thanks to Kim who was with me the whole time, and managed to prevent herself from laughing at my helpless situation. In reality, it was probably the company that helped me hold it together!).


TUES 10TH NOVEMBER - RUBY'S LOUNGE, BELGRAVE.

Awoke first thing in the morning to discover that no it wasn't all a dream. I really had no car, and I really needed to get to a gig which was about 9 hours drive from Canberra.

Dear.

Me.

After eating some breakfast and placing a call to the insurance company, I was delighted to discover that I had comprehensive insurance on my little red wagon, and whilst the "market value" would probably be too small for you to see in this email, the policy included free car hire in case of theft! If I was to make the gig that night, several things were going to have to go in my favour, and this was an encouraging start to the day! A few more calls and I had secured myself a much newer Toyota, a Camry in fact, with air conditioning! And as fate would have it, Victoria was bracing itself for one of the hottest days of the year. So instead of driving in a pool of sweat in my '86 Corona, I got to travel in the air-conditioned comfort of a new model Toyota Camry, with cruise control and a much better stereo system. There was the minor problem of my car and box of CD's being in the hands of some young hoodlum cruising the streets of Canberra trying unsuccessfully to get himself laid, but the rental car helped me put that information to one side and enjoy the fact that the tour was still on!

As you an imagine, there were plenty of rest stops on the way, but I managed to reach Belgrave with enough time to spare to grab myself a bit of food before I hit the stage. I think there might have been about 5 people in the crowd, one of them who managed to dance to my whole set (yes really - even to Crossfire), but after the chain of events in the previous 24hrs, it was a minor miracle that I had made the gig at all. I was that exhausted, I don't think I would have cared if I was playing to nobody.... Managed to sell a CD to the wasted dancer too! Checked in to the motel about 12, was asleep before my head hit the pillow.


WED 11TH NOVEMBER - THE ESPY, ST KILDA

Well, my car was still missing, but for the first time in ages I was able to sleep in, and I think I'd earned the rest. Took a cruise into the Dandenongs, found a nice spot for breakfast and enjoyed a pretty relaxing morning. The Dandenong Ranges (just outside of Melbourne) are just beautiful. The landscape is somewhere between pine forest and rain forest - but very different to the bushland in other parts of the country. It's amazing that it's less than an hour from the centre of Melbourne - well worth a look if you have a day to kill. The perfect environment for a good old fashioned wind-down. I wish I'd been able to stay for longer.

Upon my arrival in Melbourne that afternoon, I was greeted with some great news - my car had been found in Canberra! Apparently the guys who took it were still cruising the streets a few days later and the police had simply pulled them over and arrested them right there on the spot. You have to wonder don't you - why would they have kept driving the car all that time? Were they still on the cruise for chicks? Did they think I wouldn't report it stolen? Did they enjoy the sweltering heat in the red oven? The mind boggles... There wasn't much information on what was actually in the car, but the police were able to tell me that there was a box of "Benny Field" CD's in the boot! (I figured they were talking about my CD's and not some other bloke with an extraordinarily similar name to mine). All of this was great of course, except for the fact that now I needed to get back to Canberra to pick my car up. Whichever way I decided to do it, there would be a lot of extra miles involved, but hey at least it had been found. Apparently in one piece. (Or as "one piece" as that car gets...). So with that slightly encouraging news, it was off to the gig we went....

The Esplanade Hotel (The Espy) has a great $10 Lasagne night on Wednesday's - always a good way to re-fuel. The servings are HUGE. Joining me on stage to sing a few BV's was my good friend Rianna Gates, who did a beautiful job. She's welcome any time! A lot more people on hand than the previous 2 nights, and after another warm day in Melbourne there was a great walk-up crowd that had come down to the pub. The Espy is always a cool gig, and it's really nice to be able to play a stage like that whenever I am in town. Was also able to check out a very impressive set by Georgia Potter and her band from Brisbane. Really great stuff. It's one of the best things about being on the road - the chance to be inspired by brand new music you have never heard before. It's amazing to think back just 5 or 6 years to a time when I had only seen a handful of live gigs, and now I am fortunate enough to see them most nights of the week. Certainly something I can handle.

(By the way - my stolen car story went down a treat...)


THURS 12TH NOVEMBER - WESLEY ANNE, NORTHCOTE, With Sam Buckingham.

Well we'll keep this one brief. It was a nice day with Sam cruising the streets of Melbourne, and one of the rare occasions on this tour that I was actually able to relax for a few hours. The highlight of the day was certainly the purchase of a plain grey t-shirt from an op-shop in Windsor. Why would you buy a second hand grey t-shirt for $5? I don't know, but I have worn it twice now. I might even wear it tonight in fact. Cool.

The gig that night was really enjoyable - the Wesley Anne is a beautiful old room, and there were just enough people to make it feel pretty cosy. I am happy to play to small, even tiny crowds, if it's a nice space and they are giving me the time of day. Nice to have a few old friends come down to check it out too. I'll ignore the part where the sound engineer felt it was necessary to scream at the top of his voice any time he needed to communicate.... (WHATS THAT YOU WANT MORE GUITAR?!??!!?!) It's not like he had to yell over the top of everyone else, because nobody was talking. Maybe he just liked the sound of his own voice... Anyway in between his ramblings, I got to join Sam for a couple of songs and vice versa - it's one of the great things about doing shows with friends who know your music. And it's always a lot of fun singing with Sam.

So after two pretty cool gigs in Melbourne, it's fair to say I was feeling a lot better than a few nights earlier in Canberra. And it was just as well really, because there was more chaos just around the corner.... Wagga Wagga and Junee were the next in line, and somewhere in the middle of it all I had to collect a beaten up old station wagon in Canberra.

Might be a good time for a break here. The next part of the tour deserves it's own billing!

To be continued....

Tuesday, November 10, 2009

THE ARENA Part 14 - Flying

Well you'll have to forgive me - I am a couple of days late with this update. There was an album launch on Sunday from memory, then my car was stolen in Canberra on Monday night, and now I am in a cafe in the Dandenong Ranges just outside of Melbourne having played a show to approximately 5 people last night (not including the sound guy). But more on all that later.

So .... Flying....

This was a song I wrote when I first bought the studio equipment that would eventually record the bulk of the album. When I first bought it, I'll be honest, I had absolutely no idea how it worked... It was a bunch of buttons and knobs and cables and really the enormity of what I was trying to achieve really hit home. Right from the start, I bought the gear with the intention of making an album, but for the first few months I really wasn't sure that would ever happen. Most of the time it sat there gathering dust whilst I created excuses and found a whole bunch of other things to do with my time. On one of the few occasions I did get it up and running, I wrote "Flying".

Perhaps I owe the biggest thanks for this song to my flatmate at the time, who often bugged me about trying to write a "soft" song. Wind the clock back a couple of years, and I really hadn't developed the art of singing softly. A lot of my songs were built around a performance element, and therefore most of the time I was singing louder that I probably needed to. Trying too hard. Flying was perhaps the first time I had consciously made a decision to try and sing within myself. In fact, I HAD to sing within myself because every time I tried to sing louder the microphone would distort! (I really had no idea what I was doing....). So by a combination of choice and necessity, Flying came together on a rainy afternoon when I had a few hours to kill in my house in Surry Hills. I didn't know it at the time, but the end result was a song that fits perfectly at the end of the album - there is a real sense of closure about it. At least there is for me anyway. And after the amount of time and effort it took to put this thing together, I think a bit of quiet reflection was needed...

Hope you have enjoyed the album preview series. It's now officially released, so you can grab yourself a copy if you're feeling crazy!!

You could even buy one off that bloke in Canberra that stole my car. He has a box of my albums too.... Shame.

Cheers,

Renny

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FLYING



We’re all waiting for something else, but the best of what we need’s already here.

We’re all standing beneath the shelter, but that don’t make the rain disappear.



Oh my Lord I’m flying, so high up above the sea.

Oh the sun is shining, shining down over me.


We’re all waiting for something else,

but we got all the bells and whistles that we need here.

We can hide out underneath the shelter, but it sure won’t make the rain ease.

No it won’t make the rain disappear.



Oh my lord I’m flying, so high up above the sea.

Oh the sun is shining, shining down over me.

Oh my lord I’m flying, so far up above the sea.

Oh the sun is watching, watching down over me.



Vocals, Acoustic Guitar, Whistling, Glock – Renny.

Monday, November 02, 2009

THE ARENA out this Friday 6th November

Well folks would you believe it... after all this time.... my third studio album is being released this Friday 6th November through MGM distribution. It seems an age since we did the last one. It IS an age since we did the last one - 26 Reasons - way back in 2005. Can you remember 2005? I can't... I took some time out, paid off some debts, thought about being an accountant, thought about being a sports reporter, and even contemplated a life as a highly paid male model (only that last part was in a dream where I was living in a spaceship....). The point being - you learn a lot about yourself when you are on a spaceship, and though I tried to get away, the music kept on bringing me back you see. Back to earth. In a good way. So I am going to resist the urge to put a triple exclamation point in the subject line of this email and just say instead - thanks for being a part of the journey. Really it's through the support of people such as yourselves that I am even typing this email in the first place. So cheers to you!

(If you want all the other stuff that appears in a music mailout, then read on...)

-------------------------------------------

Right! Hello! Who was that guy up there? He was a bit ..erm... sentimental and stuff wouldn't you say? And I know that you know that we all know that the point of these things is is information like this:

ALBUM LAUNCH!!! (There's my triple exclamation point)

The not-to-be-missed one-off mega-spectacular spectacular.... How often do you get to see a 10-piece band?!

THE ARENA ALBUM LAUNCH
SUNDAY 8TH NOVEMBER
OXFORD ART FACTORY, SYDNEY
38 Oxford St, Darlinghurst
With Special Guests Ten Thumb Tom and Lanie Lane

TICKETS:
Advance tix still available via MOSHTIX
Should still be a few available at the door for $15, but you never know...
Doors open 7.30pm. Music from 8pm.

And if you can, be sure to get there early to see the support acts. Two of my favourite local artists - I am really stoked they are on the bill for the launch.

------------------------------------------

TOUR DATES:

After years of being consistently ranked in the world's top ten worst websites, rennyfield.com has undergone a resurgence of sorts. It's still near the bottom, but nowhere near as close. And all the tour dates are now here:

www.rennyfield.com/gigs.html

It's a pretty big tour - taking in Sydney, Newcastle, Canberra, Melbourne, Hobart, Adelaide, Perth, Brisbane, Byron and a whole lot more.. If you know anyone in the areas I am visiting, then feel free to drop them a line and let them know I'm coming. I promise not to talk about spaceships.

----------------------------------------

ALBUM RELEASE INFO:

Here's the nitty gritty... The Album will be available on iTunes from this Friday 6th November. It's an independent release, so I don't have a whole bunch of important people making sure every record store in the country has ten copies. If you'd like to get your hands on the physical product, then you have a few options:

(i) Come to one of the shows on the album launch tour! (I am putting this option first because it's the best by far! But I would say that...)

(ii) Order a copy online from Waterfront Records (you can even do that now if you like...)

(iii) Take a stroll to your local record store and order a copy there. They'll be able to get it for you no probs. It just might take a few days...

A big thanks to Belinda Cairelli for doing such an amazing job on the artwork - way better than the stick figures I would have come up with.... And my good friend Anthony Pearse for taking the cover photograph. Someone told me the other day it looks like Kelly Slater. Ha! Hello Ladies!

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REQUEST:

Hows about we concentrate on these guys... If you get the sudden urge....

Not saying that you will of course, but just in case....

www.abc.net.au/triplej

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NOTICEBOARD:

It would be rude of me not to give these folks a plug. They have been great friends and great supporters of mine for many years. If you're in Sydney, then you should definitely check out the latest production from the supremely talented Holly Austin and Adriano Cappelletta - CUBBYHOUSE. I am heading along to see it myself this week - by all reports it's an absolute riot, and well worth seeing if you're up for a bit of live theatre and something different from the norm... (Very "Live-theatre-novice" friendly too!). There are special Beer/Laksa/Show offers on offer - check it out:

www.rocksurfers.org/cubbyhouse

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SEE YOU SOON:

I hope....

Thanks again for your support,

Renny

www.rennyfield.com

www.myspace.com/rennyfield

Sunday, November 01, 2009

THE ARENA Part 13 - Our Time

Hard to believe it, but we are at the 2nd last track... How about that.

Our Time is a really important part of this album, because in many ways it's the song that got the whole thing started. There are a couple of songs on the album that were written before this one, but Our Time gave way to a big group of songs that all feature heavily. I hadn't written a song for quite a long time before this one came along (probably over a year), and I remember it being a real conscious decision to force myself to sit down and get it finished. As I have mentioned previously in these blogs, writing is rarely ever an easy process for me, so more often than not there does have to be some element of "forcing" involved, at least in the sense of making myself take the time out to sit down with the song and really give it the required attention.

In many ways, I have my bass player Pat Savina to thank for this song. I was filling in for him one afternoon teaching a few of his guitar students, and he asked me to teach one particular guy a "drop D" tuning. I knew what that was, but I had never played a song with a drop D tuning (for the non-guitarist - it's where the bottom E string is tuned down a note to D). As fate would have it, the student never turned up, and there I was with my drop D tuning and half an hour to kill before the next kid came in the room. In that time, just by a process of trial and error really, I managed to come up with the initial ideas for a song that would eventually become "Our Time". The "drop D" tuning in turn led to me trying an Open D tuning, and this ended up being a favourite of mine for the album (Sarah, Love Potion, The Edge, Lonely Man, Set in Stone, Flying). I don't actually think I realised how many there were until I just typed them!

At this time in my life, I wasn't really feeling extremely creative to be honest, so for "Our Time" I really tried to put an emphasis on the story within the song. Like most of my songs, it's still autobiographical, but for this song I shifted the focus onto my Dad rather than me. It's s story about the Christmas dinners we used to have when I was growing up, and the history behind those special once-a-year meetings in the city. I saw my Dad a lot more than that, but there was always a sense of occasion about those Christmas Dinners, and this song is I guess a tribute of sorts. A memory of those times we shared whilst I was growing up. Not to say that it's finished mind you - I'm sure there are a few more Christmas dinners to come...

For the recording - a lot of the usual suspects - my brother on Drums, Pat Savina on Bass, Carl St Jaques on the Viola and myself on whatever else I could think of to make it sound respectable. The most enjoyable part of this song however was the big crowd sing-a-long we organised for the end of the song. I was lucky enough have a bunch of people stay back after one of my shows in town, and together we laid down a big chorus for the outro. It's an effect I tried for a live recording at Bar me a while back, but this time we used some nice microphones and got a whole bunch more people to join in. I reckon the end result sounds pretty cool. But hey I am biased - better check it out for yourself...

Hope you enjoy "Our Time". Just the one track to go now. And one more week till the launch...

Cheers,

Renny

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OUR TIME



Sitting around this old table, faces washed in from the storm

Spinning your folk tales and fables,

You’ve been perfecting each day since you were born

Some people may judge this here setting,

Some folk may cast their condescending eye

I’ll let them have their opinion,

Cause from where I’m sitting, something just feels right.



For every year I remember, we’ve gathered at this symbol of some previous life

And I know it don’t give you an answer

To why the currency changed when you were still in your prime.

But closure is not why you come here,

That sort of thing couldn’t be further from your mind

We seldom get to spend a night together

But right here and now, this is our time

Our very own moment in time



She’s a cruel old town that held you down

And threw you away, far away from here.

But you held your neve, you made the changes

That have kept you running, kept you in the clear.

Still we return to the scene of the crime.

But everything is different now, you’ve left this world behind

So spare me your explaining, cause I’ll never be complaining.



Sitting around this old table with the chandeliers and the million dollar views

It’s a silver-plated land that you’re no longer made for

But you still live the life you choose.



No this memory won’t fade, I’ll keep it with me for the rest of my days.

No this memory won’t die, I can see it so clearly

This is our time.



Vocals, Acoustic Guitar, Harmonica, Organ, Keyboards, Percussion – Renny

Drums – Matt Field

Bass – Pat Savina

Violas – Carl St Jaques

AND THANKS TO THE OUR TIME CHOIR!!!

Sunday, October 25, 2009

THE ARENA Part 12 - The Edge

THE EDGE

The Edge arose out of a need for something a little more "rock" in the set of songs I was playing. I don't often refer specifically to the places I get my inspiration (that's because most of the time I am not really sure myself...) but in this case, I have to give credit to an Irish band I saw in Sydney called The Frames. Sometimes you come across music that really resonates with you at a particular time in your life, and this was the case with the Frames when I saw them at The Metro in 2007. In short, they were breathtaking. The energy of the band on stage was really something to behold - unlike anything I had seen before in Sydney. I have since discovered (through listening to more music from Ireland) that a lot of Irish music seems to carry a similar dynamic - not just in terms of style, but in terms of the place it comes from. There's something real about it.

On this particular occasion, The Frames seemed to be having such a ball on stage it seemed like they could play forever. And when you see songs delivered with that type of passion, you realise the amount of power a song can have. It made me want to write just for the sake of it. To write so I could say I did. I don't think The Edge was the first song I wrote after I saw the gig, but I can say that the song in some respects was a throw-back to the "rockier" aspects of the Frames set. In any case, I owe Mr Hansard and co. a debt of gratitude for stoking the fire again. Because for a while there I thought the flame was gone for good.

It's funny how songs often reflect your mood at the time. The Edge was written during a period where I was doing a lot of writing, and enjoying the feeling of being inspired again. As a result, the song is about the types of things I was discussing above - the willingness to do things just for the sake of it, just so you can say you did, just because it feels good at the time. It wasn't an easy song to write, some of the lines took an eternity to finalise, and structurally it took a long time to figure out the exact form, but in the end I like to think that I managed to get the point across.

"The Edge" is a metaphor of sorts - you're standing at the cliff, and you're not sure if you want to jump, not sure if you'll remember how to fly. But you've always got to try, for better or worse, because that's the only way you'll know where it might take you. As I am typing this, I am realising that the themes are somewhat similar to "The Birds" (the song from last week). I guess in that period of my life, it was a time of rediscovery, so there is an element of hope that comes through in a lot of the songs on the album. Perhaps this is the line that best sums it up:

"The promise of this beginning could all turn to shit in the end, but I'll do it again and again and again".

Whenever you take a leap into the unknown there's always a risk it could go wrong, whatever it is you might be doing. But at the end of the day, I reckon it's worth taking that chance every time.

Two weeks to the launch, and two more songs on the album. Hope you've been enjoying the preview series. Next week - "Our Time".

Cheers,

Renny

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THE EDGE


I’ve seen the edge, but I’ve never been this close before.

I’ve hedged my bets just to make it through this crooked war.

It’s tried to hold me down.

But I won’t be chained to the ground any more.



I’ve seen the edge, but I’ve never been this close.

Jump with me from this ledge, we’ll go further than we’ve been before.

Listen can you hear now, the old school bells

Ringing through the hallway,

It’s the end of the lesson, the start of the hard sell

Lay down what you know here, and take in what you see

Cause when the clock ticks down to zero, you won’t be needing me any more.

Any more.
The promise of this beginning could all turn to shit in the end,

But I’ll do it again, and again, and again.



Hope will take you, hope will break your fall.

So come with me, I’m leaving for us all. Don’t try to keep me safe.

Run like the wind my child, we’ll leap from this mountainside.

Into a place without concern.

Where the sun will rise and continue to burn.

Away from this angry world that wants you to turn, turn, turn.


It’s tried to hold me down.

But I’ve been here before and I won’t surrender buried neath the ground.

I just need a song to sing as I’m flying through the air

Cause when the clock ticks down to zero, I won’t be standing there any more.

Any more.



I’ve seen the edge, but I’ve never been this close before.



Vocals, Electric Guitars, Organ, Percussion – Renny

Drums – Matt Field

Bass – Pat Savina

Monday, October 19, 2009

THE ARENA Part 11 - The Birds

Hi folks,

Not long now till the tour kicks off. Looking forward to heading off around the country - hope to catch you somewhere along the way!

THE BIRDS

A few years back, I went to India for an extended holiday and borrowed a little half-sized guitar for the trip. I think I had hoped I might have some sort of Beatles-esque moment and suddenly write the 5 best albums of all time whilst doing Yoga for 10 hours a day at an Ashram in Rishikesh. Alas, I only managed ONE song the entire 9 weeks I was travelling (yes, just the one.. really... ), and that song has rarely ever seen the light of day since, courtesy of it being a little bit, um how should I put this...., rubbish! It's a bit of a comment on spiritual healing you see, but sadly nothing worth carrying a guitar round India for... The Indian public transport system is typically very user-UNfriendly, so the less baggage the better. Guitars (half-sized or otherwise...) not recommended!

Having said that, it wasn't all a lost cause, because in the middle of the trip I did manage to come up with a few bars of a song that would become The Birds. I can even remember where in fact - it was in a small room at the foothills of the Himalayas in a town called Mcleod Ganj, the home of the Dalai Llama. It was just an idea at the time, a few chords and a few words, nothing more, and to be honest I never thought it would turn into anything much because it didn't really seem like the type of thing I would play. So as with many of my ideas, I put it to one side for a few months, and it was only after returning to Australia that I decided to work on it a little bit more. Thus "The Birds" was born.

Whilst I often say this song is about working in office buildings (based on my own experience at the time), in a broader sense it's about comfort zones. It's about the places we put ourselves that feel "safe", and having the courage to step outside that "safe" place if you feel it's not right for you, or you need a change. That decision is not always an easy one, but I have always found it invariably leads you to where you need to be.

In my case, I was working as a book-keeper in the city and staring out my window each day at the maze of office blocks surrounding me. In a way, all those people at their desks reminded me of a whole bunch of birds sitting in a tree. Perched safely out of harms way, but at the same time missing out on the rest of the world outside. It wasn't that I was extremely unhappy at that time in my life, but I was acutely aware that I needed to move on - and the song came to me whilst that process of realisation was taking place. I am not a poster-boy for bold career moves by any means, but I am glad I was able to write something about the experience, because I think a lot of us are often faced with that type of decision. And, for me, the long-term benefits of stepping out of your comfort zone will always outweigh the short-term feelings of fear or uncertainty. (This is not something I am always able to put in to practice mind you, but I like to think I am improving).

And so you can hear at the end of the song - the lone bird has left the tree, has escaped from the madness, and can now look ahead to the future. It's an uncertain future, but at the same time a future filled with the promise of something new. A future to look forward to, because the journey is only just beginning...

Production-wise you will hear a lot of things on this track. From dancing violas to fluttering ukeleles to screeching recorders, meandering accordions and plenty more. Essentially, I tried to build the song based on the image of birds sitting (or playing) in a tree. So the different instruments I guess are different types of birds - all with their unique form of song or dance (personalities if you like) - hopping and singing around the tree as the song progresses. The sense of theatre/drama was also important to me, because the song has always had a cabaret element when I have played it live. I was incredibly frustrated at times with how long the album actually took to put together, but it was nice to have the time to work on a song like this and take it somewhere near the place I had imagined it might sound. It wasn't the easiest song to record, but I had a lot of fun with it.

A big thanks to the guys in the band, all of whom got right into the spirit of being "a bird in a tree" (as I asked them to before we tracked the song). Call me biased, but I reckon there's a lot of that energy in the final recording.

Thanks for tuning in. Next week - The Edge. A very different song to this one!

Cheers,

Renny


THE BIRDS

Look at all the birds, sitting in their favourite tree
Peering down at strangers, clinging to the branches in the ever-changing breeze
And everyone that’s come and gone
Has heard them sing the same old song year after year.
I could climb the highest branch, learn their little nesting dance.
But I still won’t belong here.

So don’t shed a tear for me, Cause I’ll drift with the falling leaves.
And I’ll float down till I touch the ground, find a place to settle down
Till whenever the wind sets me free.

Look at all the birds, sitting in their favourite tree.
Oh tell me please.
Do you think they’d care if I made them all aware
Of the beauty they never will see.
Everyone that’s come and gone
Has heard them sing the same old song year after year.
I could learn the same lines, chirp away in the confines
But I wanna say no, I wanna let go, I wanna keep breaking the rules.

So don’t shed a tear for me, cause I’ll drift with the falling leaves.
And I’ll float down till I touch the ground, find a place to settle down
Till whenever the wind sets me free.
Till whenever the wind sets me free.

Oh I know it’s never always easy, oh I know it’s never always fair.
But I’ll take my chances on fleeting romances.
Oh I know it’s never always easy, oh I know it’s never always fair
But the top of the tree, is never what it seems to be.

So don’t shed a tear for me, cause I’ll drift with the falling leaves.
And I’ll float down till I touch the ground, find a place to settle down soon
Please don’t shed a tear for me, cause I’ll drift with the falling leaves
And I’ll float down through the canopies with the butterflies and the centipedes
Till whenever the wind takes me.
Even if it breaks me.
What ever the wind makes me I’ll be. I’ll be.
Oh so don’t shed a tear for me.

Vocals, Acoustic Guitar, Piano, Glock, Keyboards, Ukelele, Clarinets, Recorders – Renny
Drums – Matt Field
Bass – Pat Savina
Violas – Carl St Jaques
Accordion and additional Piano – Kent Eastwood

Monday, October 12, 2009

THE ARENA Part 10 - Lonely Man

Hello again,

Lonely Man was a song I wrote a couple of years ago when I was doing a weekly myspace "challenge". (Actually a few of the songs on this album were from that same period). Basically I was trying to write a song each week and put it on myspace - not too much of a "challenge" for some I guess, but plenty hard enough for me considering the length of time it can take me to finish a song. In the end, I compromised a bit and posted the songs as they were, knowing I would probably have to revisit them at some point. In fact, I compromised a lot in some cases - some of them were not worth revisiting!

Funnily enough Lonely Man was one of the few songs I was actually able to post as a finished product, and it has never changed from that original form. I think that's because I never really expected to do anything with it. I have lots of songs like that - seemed like a good idea at the time, but on reflection... So it was a bit of a line ball decision as to whether or not this would make it on the album in the first place. In the end, I decided to go with it because I think it's a little bit different to the rest (at least not as obvious a choice), and I thought it deserved a place because it came from that same period of writing.

Production-wise then I wasn't really sure at all what I wanted to do with it. I can remember even the bass and drums being a little tricky to figure out when we tracked them. Essentially I didn't see a need to depart too far from the raw acoustic version, because the energy of the song seemed to stem from that context. Having said that, there was a natural build through the middle of the song that I had to capture, so it took a little bit of time to figure out what I was trying to do.

In the end, my big idea for this song came at the most unlikely time - when I was sick as a dog, suffering from the whooping cough. I decided to see what it would be like to layer some Tenor voices through the second half of the song (sort of a male choir singing in unison). Fortuitously, the fact that I was sick meant that I was able to produce a big deep tenor voice (which I wouldn't normally be able to do), and I ended up singing the same part 9 or 10 times to achieve the effect. Considering the song is called "Lonely Man", I can't be sure that having 10 tenor voices singing along was a good idea, but the concept seemed to work so I decided to run with it.

And you have to remember - it was me doing all the singing, and all the production, just on my ownsome. So really, I was a very lonely man at times. But that was sort of the point.

You'll also be able to hear a few Clarinet parts in this song. That's the instrument I learned (or was supposed to be learning) at school. It's a lonely sort of instrument the Clarinet, I think I used to get bored because I could only play one note at a time.... But I figured if it was going to feature on this album at all, then it would be on this track. It was a surprise to me that I was still able to play it at all, but strangely enough the keys etc all seemed vaguely familiar. A few off notes perhaps, but I think it worked out Ok in the end. And I must have been feeling the love for the Clarinet at that particular moment, because it has somehow found it's way on to Molly Mae as well!

Lyrics below. Next week - The Birds.

See you then,

Renny

------------------

LONELY MAN
.. .. .. .. .. .. ....

Take me in your arms now, cause I’m dying to accept this fate

Spin me while I’m hanging by this thread of yours

Cause there’s always one more twist that I can take.

And though we stand together now, we’re never on the level ground you see.

When it’s all said and done, when this two becomes one, will you remember me.

Will you remember me.

....

In your heart I’ll be a lonely man.

But I’ll come running every chance I can.

Every chance I can.

....

So the time has come again for you, I can just about predict the hour.

The days and nights escape me, another page is torn.

I guess I’ll make them up somehow.

Oh I never went to Paris with you girl, we never got to cruise the Nile

But over all the rapids, we held each other’s hands,

And it was good there for a while.

....

In your heart I’ll be a lonely man.

But I’ll come running every chance I can.

In your heart I’ll be a lonely man,

But I’m gonna stick it out here for as long as I can.

For as long as I can.

....

So come into my arms now, cause this could be our final squeeze.
So can we soak it up, can we take a minute

Please

....

Vocals, Acoustic Guitars, Clarinets, Tenor voices – Renny

Drums – Matt Field

Bass – Pat Savina

Thursday, October 08, 2009

The best steak sandwich and the worst cofffee in NSW

Hi folks, time for the October newsletter....

If you are visiting for the first time, Welcome and thanks for stopping by! If you’ve been here before, thanks for hanging in there. You know I love you.

If you'd like to know more about the best steak sandwich and the worst coffee, then scroll down. If you are after the latest music news (sort of the point of these things really...), then here it comes:

Only a month to go now till we are launching ALBUM NUMBER 3! There’s a great 10-piece band all ready to go, and it’s shaping up to be a big big night of music. Why not grab yourself a ticket to the launch party so you don’t miss out – they are going like McDonalds hotcakes at 10.29am…

“THE ARENA” ALBUM LAUNCH. SUN 8TH NOVEMBER.
OXFORD ART FACTORY, SYDNEY
38 Oxford Street, Darlinghurst.
With special guests Ten Thumb Tom and Lanie Lane.
Doors open 7.30, Music from 8pm.
Tickets on sale now!
http://www.moshtix.com.au/Event.aspx?id=30239&pLock=&vip=&skin=&ref

The Album will be officially released in stores and online on Fri 6th November. If you can’t make it to the big launch party, then there are a plenty of other shows to choose from. I am travelling right round the country in fact – Sydney, Melbourne, Hobart, Adelaide, Perth, Brisbane and a whole bunch of places in between. If you’ve got friends anywhere nearby, then feel free to drop them a line to let them know I am coming through. (And while you’re at it, if you wouldn’t mind asking if I they had a spare bed…..). For detailed information on the upcoming dates, then best to check online:

www.myspace.com/rennyfield

www.rennyfield.com

For those of you who don't like to click on links, here is the rough guide. Plenty more to come:

Wed 4/11 Lizottes, Kincumber, NSW
Fri 6/11 Red Bar, Cambridge Hotel, Newcastle, NSW
Sun 8/11 Oxford Art Factory, Sydney, NSW
Mon 9/11 Phoenix Bar, Canberra, ACT
Tues 10/11 Ruby’s Lounge, Belgrave, VIC
Thurs 12/11 The Wesley Anne, Melbourne, VIC
Fri 13/11 William Farrer Hotel, Wagga, NSW
Sat 14/11 Locomotive Hotel, Junee, NSW
Sun 15/11 Pure Pop Records, St Kilda (3pm), VIC
Sun 15/11 The Evelyn, Fitzroy (8pm), VIC
Tues 17/11 Republic Bar, Hobart, TAS
Wed 18/11 Irish Murphy’s, Launceston, TAS
Thurs 19/11 Grace Emily, Adelaide, SA
Fri 20/11 Swan Lounge, Fremantle, WA
Sun 22/11 Velvet Lounge, Flying Scotsman, Perth, WA
Fri 27/11 Kings Hotel, Bathurst, NSW
Sat 28/11 Oriental Hotel, Mudgee, NSW
Sun 29/11 Hotel Orange, Orange, NSW
Wed 2/12 Brass Monkey, Cronulla NSW
Fri 4/12 The Loft, Chevron Island, Gold Coast, QLD
Sun 6/12 The Troubadour, Brisbane, QLD
Mon 7/12 The Rails, Byron Bay, NSW
Wed 9/12 Guru Food Café, Bellingen, NSW
Thurs 10/12 Raval, Sydney, NSW
Fri 11/12 The Baroque Room, Carrington Inn, Katoomba, NSW

A nice little road trip for Sydney-siders in the last week of November which might be worth considering - Bathurst/Mudgee/Orange - always a lot of fun out West of the Blue Mountains. The outback is good for the soul.

I am still posting a track each week from the new album, plus a little blog about the song. This week I am up to No. 9 – Exploring – it’s an old favourite and a few of you have probably heard it before…

www.myspace.com/rennyfield

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AUSTRALIAN STORY

You may be interested to know that some of my music (the track "Flying") was used on last week’s episode of Australian story. I have no idea how it got there – I am guessing probably an administrative error of some description – but hey I checked it out online and sure enough there it was. A moving piece of television about the aftermath of the black saturday bush fires which is worth a look (with or without my music).

http://www.abc.net.au/austory/specials/herbeauty/default.htm

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MOLLY MAE:

As I mentioned last month, the first single from the new album is now available on iTunes. There's also a bit of a review that someone was kind enough to write - apparently they didn't mind the song. Jump online and check it out if you so desire, and you could even try hitting the "buy" button if you're feeling adventurous. I like to think it's worth at least $1.69, considering it took me the best part of a year to record it...

Of course, if you can't figure out how to buy it online, you could always ring your local radio station (or a national one with a fondness for the letter J) and see if they'd play it for you. That way you'd get to hear it for FREE! Now that would be a good deal.

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THE BEST STEAK SANDWICH AND THE WORST COFFEE IN NSW

“What’s this all about?” I hear you ask. Well, I used “Rocktober” as the subject line for my newsletter this time last year (and probably the two before that) – I figured “The best steak sandwich…” was probably a little more interesting. And would you believe it, I actually did have the best steak sandwich AND the worst coffee all in the one day. Last Saturday in fact, really it was quite a treat.

The Steak Sandwich – well you could argue for and against it being the “best”, but on account of the fact that the diner (if you could call it that) in Stroud Road* (that’s the name of the town, not the street) is the only place in the State brave enough to advertise (on a big sign out the front) “The Best Steak Sandwich in NSW!”, then you’d have to give them the prize. Sure I have tasted better I suppose, but this was a fresh-cooked home made classic – a true Steak Sandwich in every sense of the word. Right down to the thick-diced steak, the lightly toasted tip-top white bread, the greasy onions that were cooked in a pan that has never really been cleaned properly, the black-and-gold BBQ sauce AND, most importantly, the little Aussie flag on a toothpick holding the whole thing together. Because let's be honest, that's the key to an authentic country-made steak sandwich - the little Aussie Flag - it wouldn't have been the same without it. Plus I asked for some fresh lettuce and tomato on mine, and the lady in the shop was more than happy to add the extras free of charge! In fact, the Stroud Road Steak Sambo is SO GOOD that they have even placed ANOTHER sign about 150m further down the road that reads:

“GO BACK! For the best steak sandwich in NSW”.

That’s the one that got me, I’ll admit it. I have managed to ignore it in the past, but on this occasion the pressure was simply too great. And the curiosity for that matter – it was worth a U-turn – that tiny little building in Stroud Road, how on earth could it have the best Steak sambo in NSW? Well folks, it just does. Because it says so.

*NB – You may be interested to know that “Stroud Road” is about 10 mins away from another town called “Stroud”. Sometimes it’s best not to ask questions.

As for the Coffee, well that wasn't in Stroud Road. I won't bore you with too many details (I've already done a pretty good job of that I think...), but let’s just say that it involved a late-night drive back to Sydney from Newcaslte, a 24-hr Mobil service station in Charlestown, a dodgy instant Cappuccino machine which only managed to fill half of my cup, and an over-zealous service station attendant who decided to charge me for TWO coffees because I hit the button again so I could leave the shop with a full coffee rather than just half a cup.

“That will be $5.90 sir”

“But it’s says $2.95"

“Yes, but you pressed the button TWICE.”

Sort of reminded me of that old Seinfeld sketch:

“You dipped the chip, you took a bite, and you dipped again!”

Suffice it to say, it was an argument I could not win. The evidence was on Camera you see. And at $5.90, it was truly the WORST coffee in NSW. Possibly the whole of Australia, but I’ll get to test that theory on the upcoming tour. And maybe you can help me out somewhere along the way! (Although I'd be just as happy for you to recommend a good coffee as well...).

Cheers for now, and as always thanks for your support.

See you out there somewhere soon.

Renny

Monday, October 05, 2009

THE ARENA Part 9 - Exploring

Hello again.... nearly forgot this week. I have been away for a few days taking a bit of a break from the real world. Currently putting together a little story from the road, which I might try to post this week. I like to write travel stories you see - but you might have already picked that up.

Anyway - Exploring - this week's little number. For a long time there, Exploring was the only real "new" song I had. I had tried to write others, but they just wouldn't come. At least not in a way that made me want to finish them. As far as songs go, this was one of the quicker ones I have written. Normally the process for me is fairly painful, but I managed to get this one out in about a day. I think I had a gig that I was trying to finish it for. Often my songs have been created because of a perceived lack of a certain type of song in my live set - in this case I felt I was missing a bit of an up-beat toe-tapping number (for want of a better description). I certainly went for the "up-beat" vibe for that first show, but it has since mellowed a fair bit, and the energy on the album recording is pretty much how I imagined it should sound. A cruisy country number? Perhaps...

I can't say the lyrics are among my finest, but the point of the song was not to be complicated (as you might have guessed from the chorus). The point was to write something simple, easy to understand, easy to identify with. And when you are writing a simple song, it certainly helps if you know you only have a day to finish it!

My favourite memory from this song - and I often tell this story at my gigs - was when I played it in India one year on a hotel balcony. Travelling with my girlfriend at the time, we were both sitting on our balcony surveying the town of Agra (site of the Taj Mahal) and I decided it might be nice to get the guitar out. I had borrowed a half-sized guitar for the trip, essentially in the hope that I would have some sort of Beatles-esque moment and write 5 of the greatest albums of all time. In the end, I think I wrote one song, and it's not on this album.... nor is it likely to make an appearance on any of my future albums.

Anyway where was I - Exploring - that's right. So I pulled out my little half-size guitar and started to play Exploring, and as we looked down on the various rooftops about town, we noticed that the kids started to dance and clap their hands. As I continued, more and more kids joined in until the scene before us was pretty surreal. Dotted around the town of Agra, a series of rooftops with children laughing and dancing whilst their parents watched on smiling and clapping as well. I was a beautiful cross-cultural moment (if you could call it that - probably a slightly grander description than what I was after...), and a wonderful example of the power of music. I can't remember if I played the song twice or just did a super-extended chorus, but all the while I was thinking this was a pretty special moment. They had no idea what the song was about, no idea what I was saying, but the beauty of Indian kids is that they can find happiness in the simplest things, and on this occasion it was some weird white bloke playing his guitar on a hotel balcony. One of my fondest memories from my time in India that's for sure, almost out-weighing my disappointment that I wasn't able to write the 5 best albums of all time on my half-sized guitar.

The funniest part of that story was in fact the next day when I emerged from my hotel, and every second kid that I walked past pointed at me and went "Whiiiiyiyiyiyiyiyiyiyiyiyiyiyiyiyiyi" before laughing and running away (have a listen to the chorus of the song and you will understand...). All of a sudden, I was an overnight celebrity in Agra. Madness. I can't imagine if I played on a balcony in Sydney it would have the same effect. Most probably someone would just call the police.

If you are ever travelling in India with a half-size guitar (or even a full one for that matter...), you are more than welcome to play this song and give the hotel balcony experiment a try!

My thanks to Bill Chambers for agreeing to play the lap steel guitar on this recording. Also to the other people that helped put the song together (see below).

Next week - Lonely Man - 9 down, 5 to go - see you then.

Cheers,

Renny

---------------

EXPLORING
.. .. .. .. .. .. ....

No-one ever told me things could be this way

No-one ever told me what to do or what to say

Oh I woke up cold this morning, thinking of your smile

And thinking of you yawning, made me cry inside

....

No-one ever told me, things could be like this

No-one ever let me know about the things that I would miss

Oh I woke up cold this morning, thinking of your smile

Do you think that we can go exploring for a while

....

For a while. For a while.

Oh don’t let this be the end of you and me, can we try

....

No-one ever told me I could feel these things

No-one ever told me ‘bout the songs my heart could sing

Oh I woke up cold this morning, thinking of your smile

And thinking of you yawning made me cry inside

Oh I woke up cold this morning thinking of your smile

Do you think that we can go exploring for a while

....

For a while. For a while.

Oh don’t let this be the end of you and me, can we try.

Can we try. Can we try. Can we try.

....

Vocals, Acoustic Guitars, Piano, Keyboards, Ukelele, Glock – Renny

Drums, Percussion – Matt Field

Bass – Pat Savina

Backing Vocals – Sarah Humphreys, Sam Buckingham.

Lap Steel – Bill Chambers